is a technique I use to visualise embodied perception in site specific investigations, to make sense of the information and identify significant phenomena. This technique enables me to read environmental qualities and whilst the documentation captures direct perceptions in the present, multisensory phenomena perceived through bodily engagements with an environment the visualisation process illuminates corresponding mental images.
Together embodied perception and mental images define the way we develop our knowledge of the world and of ourselves through our senses. In embodied perception, we are not consciously aware of all sensory phenomena; the perceptual process is selective. Sensing, direct sensation in the present, includes an abundance of information. It is inexhaustible, which suggests that being conscious of all stimuli would be overwhelming. Thus, people are selective and only the information that resonates with the individual, the qualities or patterns that stand out, is consciously recognised. The mental images that derive from embodied perception seem even more selective. The information in mental images is less detailed than in embodied perception, but they can be more powerful in connecting people to places or events because the features that are retained and recalled are those that are the most significant to the individual, those that are deeply and personally felt. It follows that mental images can represent an important source of information for those interested in studying Sensory Ecologies.
Sensory-emotional map
Sensory-emotional map
Sensory-emotional map
Sensory-emotional map
Sensory-emotional map
Sensory-emotional map
- Generality: the map extracts similarities and ignores unique situations in phenomena.
- Simplicity: unnecessary information is discarded.
- Economy: the map simplifies and codes the information for speedy and reliable access
- Essence: critical information is retained.
- Connectedness: the map uses symbols to identify known points and establish connections for the map to read as continuous.
- Directness: experiences are arranged into categories.
- Unity: a clear organisation of information against its background.
The maps in the slide show come from several projects completed between 2014 and 2022. I typically use annotated drawings to construct the maps but other materials and three-dimensional approaches can also help. The project shown here in the video investigated how the newly redesigned Elephant Park in Elephant and Castle, London, was perceived both sensorially and emotionally. A top view illustration of the park was laser etched on a table top and each participant used a different coloured thread to map their sensory-emotional journey. This participatory event was created in collaboration with with scenographer and UAL Senior Lecturer Lucy Thornett for the London Design Festival and London College of Communication public program.
© Valérie Mace 2025
Reference
Kaplan, S. and Kaplan, R. (1981) Cognition and Environment: Functioning in an Uncertain World. Ann Arbor, Michigan: Ulrich’s Books.